PAULA LLOVERAS: ART SERIES #63 FRESH MUSEUM

Monday, July 4, 2011

ART SERIES #63 FRESH MUSEUM | 08.2014

http://freshmuseum.blogspot.com.es

NEW

ARTWORKS

801 I TOLD THE RABBIT – PAULA LLOVERAS - MADRID

802 ENCAPSULADOS – JAVIER PÉREZ ARANDA - MADRID

803 BOM DÍA – REGINA FIZ - PORTUGAL

804 COLUMNAS PLATÓNICAS – MARISA CAMINOS - MADRID

805 ÁNDELE PINCHES BORREGOS – TAKA FERNÁNDEZ – MEXICO DF

806 AMAPOLA – FRANCOISE ROHMER - PROVENCE

807 FOODSCAES – FREDRIK LUND - NORWAY

808 PELO DE POL – MARÍA ENRÍQUEZ - MADRID

809 CRIME #11 – CLAUDE CHUZEL - FRANCE

810 TODO ES BOTANA – TOÑO CAMUÑAS – MEXICO DF

811 STONES – DANINO BOZSIC - PROVENCE

812 HÉROES – YAKY BONACIC-DORIC – MADRID

813 SABLE – MANUEL MAQUEDA – CÁDIZ

814 ROSSMANN BAGS - PAUL DOEMAN - BERLIN

815 CARTOGRAFÍAS DEL PODER – LIMBER VILORIO – DOMINICAN REP

816 SITUACIÓN VELÁZQUEZ 100 - PLANCTON - MADRID

817 BANNED – KRAPOOLA - BERLIN

818 ALMA – POL PARRHESIA - MADRID

819 OBJETOS DINÁMICOS – LLLL | UNSTABLE SERIES - MADRID

820 REGIONES TRANSITORIAS (2) ANDRÉS MONTES - MEXICO

821 MIRADAS – ESTHER REVUELTA – MADRID

822 STRAWBERRY PEOPLE – STANO CERNY - SLOVAKIA

823 IDÉES NOIRES - AXEL DI CHIAPPARI – FRANCE

824 33 LLAVES INGLESAS – ROBERTO EQUISOAIN – BERLIN

825 ALJIBE DE PAJA – HECTRUSO – SIERRA NORTE

826 REGINA PROFILÁCTICA – IBÁN GONZÁLEZ - MADRID

827 MASKS - RAFAFANS - LIMA

828 BREVE HISTORIA SOBRE EL VECINDARIO – JONAY PMATOS - CANARIAS

829 TETRARCH – SINQUENZA - CUENCA

830 LIGHT SOCIAL SCULPTURE – ANTO LLOVERAS - FRANCE

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TERRATORRY - GALAXY SERIES

FROZEN HEAT SATELLITES - LLLL ART AGENCY

I TOLD THE RABBIT - PAULA LLOVERAS - FOODSCAPES | 2014 ____#801 FRESH MUSEUM

The FOODSCAPES project collects social economical political displacements with essential and primary resources within society. Accesibility to the fresh materia is not as simple as we pretend it to be, but involves a large political path to be able to afford it. The singularity of the rabbit is brought to us as an example of displacements done by the artists to show how the form is done automatic by framming. The piece more than the rabbit is depending of existential possibilities as production markets labor political contracts and a neccesary hunger for the arts to fullfil the dayly performance. The conceptual approach involves a performatic superposition of dayly acts and art. Rabbit is not all what we eat but its function as a symbol of translation from life to art. The rabbit will appear in a serial of moments as an act of heroicism to connect neccesary movements.

PAULA LLOVERAS 2014