Showing posts with label KITCHEN DIALOGUES. Show all posts
Showing posts with label KITCHEN DIALOGUES. Show all posts

Tuesday, October 29, 2013

CONVERSATION AS ART. DINNER AS ART



LLLL ART AGENCY
AT
RAKE CONSTANT DECAY
TRONDHEIM NORWAY 11.10.2013
CONVERSATION AS ART
DINNER AS ART, 11


> 
Martinka and Oscar, artists and hosts. Four bright and smart students from NTNU. Øyvind and his two lovely teenage daughters. LLLL Art Agency

Upon arrival we have quick conversations with everyone. The test. The mood checkout, excellent. Oscar moves fast in the kitchen while martinka throws her charm. At the table the generous wine brought by the students opens a delicious mood. As we eat the salad we talk about the roads, the weather and the inmigration, commonplaces. With some wine and the main dish we talk with the students about possible tv shows we can make. In the dessert we talk about art, about us being part of the artpiece, being the spectators of our own play, where the artist direct a scenography where each one plays his own rol. To play a rol is charming, since you have to give and listen, be active and patient. The contextual relational pieces always demands an extra effort in the audience.

To play with context is a crispy idea in art, we do not have to talk about dada. Dada speaks alone. Dieter Roth knew about this. Daniel Spoerri knew about this. Rirkrit Tiravanija knew about this and Antonio Miralda knows pretty well about this. 

We know as well, since we love the brightness of the contemporarity and the references to some masters of context symphonies. We loved to meet all the guests and to be able to talk and develop certain intimacy with the artists after dinner, chilling at a couch and by the fire. Thats the ultimate goal of the piece, to generat the confort zone that enables us to make a further step.

So, there is the context frame, Rake, the sub frame, The Kitchen Dialogues, and our own frame, the upcoming FROZEN HEAT SERIES.


This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.













We came to have dinner with strangers



LLLL ART AGENCY
Constant decay RAKE friday 11 oct 2013




At the back entrance we look into the mirror. Self reflection upon rival, we welcome ourselves to the decay. We take some shots of us as part of the decay mood. We came around again to have dinner. We enjoy the idea of spending some time chatting with strangers. Upon the arrival we can feel the programers are delivering new ideas to the building. The fireplace at the entrance lobby space gives a feeling of intense cozyness, and the wooden bench works as perfect usable installation. Some spaces are receiving a generous by-pass by ART. We actually came to have dinner with strangers. To have dinner as art, and yes, we had great dinner. > kitchen dialogues – 
http://kitchendialogues.com/



site
context
old fabrics
mood process
curatorial
decay
art
 

This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.




VITAMINA 017 (I/-) 


Abstracción
El concepto «abstracto» se desarrolla a partir de la oposición a la figuración y designa a la vez dos formas diferentes de arte no figurativo: 1 la abstracción constructiva que visualiza estructuras de orden geométrico 2 la abstracción lírica, que como arte informal es expresión de la creatividad intuitiva.

Acción
Presentación directa de un proceso mental artístico con ayuda de medios teatrales, para demostrar con máximo énfasis la vida misma, la actualidad de un problema mediante un efecto inesperado.

Action painting
Término acuñado por el crítico norteamericano Harold Rosenberg para designar la técnica pictórica gestual de Jackson Pollock, que aplica el color directamente sobre el lienzo extendido en el suelo mediante el procedimiento del dripping.

Acumulación
Apiñamiento de objetos de uso corriente formando una composición en relieve dentro de receptáculos de plexiglás o sobre una estera dura (Arman).

Aerografía
Técnica de aplicar la pintura no con pincel o espátula, sino mediante el aerógrafo (difuminador) o la pistola. Los contornos se trazan con la ayuda de unas plantillas.


G L O S A R I O:

Fragmento de:
Karin Thomas
Estilos de las artes plásticas en el siglo XX
Ediciones del Serbal


http://kitchendialogues.com/make-a-reservation/