Sunday, December 8, 2013

CAMP ZERO / RAKE CONSTANT DECAY 2013




LLLL ART AGENCY
AT
CAMP ZERO / RAKE CONSTANT DECAY 2013


WE TALK AND SMOKE AROUND THE BRICK FIREPLACE
CIGARS AND CIGARETTES
WE TALK ABOUT THE GREAT MOOD WE HAVE HAD THIS MONTH


COLD SATURDAY AFTERNOON
SITUATION CAMP ZERO
FIRE AND MUSIC AT RAKE CONSTANT DECAY
ART BY KITTY HERTLING





This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL

as satellites of LAPIEZA ART SERIES.


LLLL ART AGENCY



http://rake.trondheim.no/visningsrom/index.php?%2Fconstantdecay%2Fconstant-decay%2F
http://www.wildatart.no/



RELATED VITAMIN 031 (II/-) 



6. No colors. "Color blinds." "Colors are an.aspect of appearance and so only of the surface." Colors are barbarie, unstable, suggest ¡¡fe, "cannot be completely controlled," and "should be concealed." Colors are a "distracting embellishment." No white. "White is a color and al¡ colors." White is "antiseptic and not artistic, appropriate and pleasing for kitchen fixtures, and hardly the medium for expressing truth and beauty." White on white is "a transition from pigment to light" and "a screen for the projection of light" and "moving" pictures.

7. No light. No bright or direct light in or over the painting. Dim, late afternoon absorbent twilight is best outside. No chiaroscuro, "the malodorant reality of craftsmen, beggars, topers with rags and wrinkles."

8. No space. Space should be empty, should not project, and should not be flat. "The painting should be behind the picture frame." The frame should isolate and protect the painting from its surroundings. Space divisions within the painting should not be seen.

9. No time. "Clock-time or man's time is inconsequential." There is no ancient or modem, 'no past or future in art. "A work of art is always present." The present is the future of the past, not the past of the future. "Now and long ago are one."

10. No size or scale. Breadth and depth of thought and feeling in art have no relation to physical size. Large sizes are aggressive, positivist, intemperate, venal, and graceless.


ad reinhardt
12 rules for a new academy
1961
https://www.facebook.com/pages/Ad-Reinhardt/363723510404329?fref=ts

Anto Lloveras Lapieza Relational Art Series Marisa Caminos Ann-Cathrin Hertling Rake Visningsrom Pontus Kyander Turid Mathiesen Kvålsvoll Randi Martine Brockmann
 — con Lapieza Relational Art Series y Anto Lloveras.












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